Julio Anaya
Enrique Simonet, decapitación de San Pablo, 2020
Antonio Muñoz Degrain, Panorama de Aragón, 2020
Joaquín Sorolla, Rocas de Jávea y el Bote Blanco, 2020
Ignacio Pinazo, Los Mayos, 2020
Emilio Sala, La Chica de las Flores, 2020
BIOGRAPHY
Spanish Artist Julio Anaya Cabanding (Malaga, 1987) challenges the meaning of Western masterpieces by presenting them as displaced trompe l’oeil reproductions in urban spaces. The artist leaves the comfort of his studio to create ephemeral works in abandoned locations; this intentional act alters the traditional artwork’s integral relationship with viewers and the museum. How do art spaces affect a visitor’s perception of the work hanging before them? Cabanding’s painting interventions and photographic documentation question preconceptions of the value of classical works by removing them from the white wall to areas on the fringe – places where they may not be seen at all or only encountered by chance.
