My production revolves around social or cultural issues, all surrounded by an enormous interest in the memory, using mechanisms that offer the viewer a reflective game with the works. The choice of this series of topics is related to the analysis, through plastic languages, of the connection that exists between our past and the present that we inhabit. The main motivation comes, in addition to everything that has to do with conceptual research, from the constant battle with the pictorial medium that keeps me in continuous artistic production. A large number of artistic, literary or even everyday references serve as inspiration points when proposing new projects. The most direct intention of my work is to be able to build a series of mechanisms in the dialectic between work-spectator that will enable reflections and questions from all the participating agents, such as myself, or as I have already commented previously, the public.